Masaki Kobayashi • Great Director • Senses of Cinemab. February 1. 91. 6, Otaru, Japan. October 1. 99. 6, Setagaya, Tokyo, Japan. Masaki Kobayashi’s career coincides with the so- called Golden Age of Japanese cinema in the 1. Despite the fact that some of his films such as the war trilogy Ningen no jÅken (The Human Condition, 1. Seppuku (Harakiri, 1. February 2. 01. 6 passed almost unnoticed in the Western media. Kobayashi has been largely forgotten by the average Japanese filmgoer, and outside Japan interest in his work is much lower than it is for the films of his contemporaries, such as Akira Kurosawa. Golden Bear German jury vote (1951) The winners of the first Berlin International Film Festival in 1951 were determined by a German panel, and there were five winners of the Golden Bear, divided by categories and genres. Magnolia brings 13 Assassins to Blu-ray with a more-than-satisfying 1080p/AVC-encoded transfer. Shot on Super35mm, the movie retains its natural filmic look here, with a veneer of slightly gritty grain that's untouched by DNR. [스크랩] 류아란 첫 AV 촬영 후 인터뷰 유기중 2011.11.14 15:45. http://blog.daum.net/yoozx/3639. A look at war in the history of Buddhism. ZEN, BUSHIDO AND THE WARRIOR TRADITION IN JAPAN. Just as Tibetan Buddhism was influential to Tibetan and Mongol warriors, Zen Buddhism would also play a role in developing ideas of. Kobayashi’s politically and ethically uncompromising and economically risk- taking attitude put him in conflict with the studios he worked with, ShÅchiku and Toho: this might explain the fact that he made only 2. Moreover, his critical view of militarism in Japanese history and the entanglement of politics and the economy in Japanese society are topics that are not attractive to young Japanese people. However, they are still burning issues in Japan and in the modern world, more meaningful than ever before. The. Human Condition is not only a landmark film putting a harsh light on Japanese imperialism during World War II, it is a remarkable and universal statement against war. Harakiri, Kwaidan (1. JÅi- uchi: HairyÅ- tsuma shimatsu (Samurai Rebellion, 1. Inochi bÅ nofurÅ (Inn of Evil, 1. They show in a most original way how traditional forms can be used as a tool for political criticism and ethical reflection. Kobayashi was one of the finest depicters of Japanese society in the 1. The Human Condition was such a great international success in the 1. Takeshi Abe. It is not the film’s harsh and uncompromising realism which makes it outstanding, but its approach to Japan’s imperialist policy. As film critic Setogawa SÅta pointed out, it “was the first Japanese film that frankly depicted ‘Japanese devils’ in China in great detail.†Kobayashi dared to criticise openly Japanese militarism and to show the brutality of the Japanese occupation policy in China. This is an epic masterpiece and is clearly a cut above most films in direction, acting, and cinematography. But what really sets it apart is that it connects the viewer to Bushido and has those values firmly at its core. The. Moreover, the enemy has begun to employ a new and most cruel bomb, the power of which to do damage is, indeed, incalculable, taking the toll of many innocent lives. Should We continue to fight, not only would it result in an. His humanist message is close to Kurosawa’s, but his political attitude and his interest in aspects that concern Japanese society are more clearly expressed than in the work of most of his contemporaries. Not unlike Kurosawa, he was a risk- taking filmmaker who was interested in challenging formal aspects and rejected compromise, an attitude which made his position more and more insecure in the 1. Japanese film industry experienced a period of drought. His last film – Shokutaku no nai ie (Family Without a Dinner Table aka The Empty Table) – was released in 1. However, his anti- violence stance and his personal style with its combination of aesthetics, historical research and emotions are as vibrant as ever. Born on the northern island of Hokkaido, Kobayashi spent his youth in his hometown Otaru near the mountains. His penchant for views from a height was developed during these years, when he enjoyed skiing on his home island. Breathtaking views of the mountains filmed on Hokkaido appear in The Human Condition, and other films also contain impressive shots of mountain landscapes. Not unlike Kurosawa, Kobayashi uses meteorological conditions such as wind, snow, storms and heavy rain to add movement to his frames. His insistence on natural elements creates a broader context for his protagonists, connecting them even more clearly to a culture in which the contemplation of nature is central and in which there is an omnipresent awareness that the fragility of human existence depends so much on natural conditions. Great Director profile on Japanese filmmaker Masaki Kobayashi. In Kuroi kawa (Black River, 1957) Kobayashi offers insights into a Japan of the 1950s dominated by crime, violence, corruption and poverty. WARRING CLANS (1963) director: Kihachi Okamoto / cast: Yuzo Kayama and Yuriko Hoshi. SAMURAI ASSASSIN (1965) director: Kihachi Okamoto / cast: Toshiro Mifune and Keiju Kobayashi. SWORD OF DOOM (1966) director: Kihachi Okamoto. Kobayashi returned to Hokkaido to shoot his war trilogy. He left the island to study ancient oriental arts and philosophy at the prestigious Waseda University in Tokyo in the 1. After graduation in 1. ShÅchiku Studios but was drafted into the army shortly after and sent to Harbin, Manchuria. Being a pacifist, he refused promotion to higher ranks several times. This is a significant manifestation of his independent spirit and non- conformism. Kobayashi spent the final months of the war interred in a POW camp in Okinawa, at that time under American control. Upon his release from the camp in 1. Keisuke Kinoshita, one of the leading directors of the period – together with Yazuro Ozu, Mikio Naruse and Kenji Mizoguchi – and at that time under contract at ShÅchiku. His first films are inspired by the studio’s style, which was renowned for its shomin- geki: contemporary stories and domestic dramas. The sentimental style of these productions is resonant in Kobayashi’s early films, Kinoshita clearly being a major influence. Kobayashi’s mentor Kinoshita was the scriptwriter of his first film, the 4. Musuko noseishun (My Sons’ Youth, 1. Magokoro (Sincere Hearts, 1. Both are social melodramas close to the style of the studio and deal with young people’s desires and fears within a coming- of- age context. In 1. 95. 3, Kobayashi directed a far more personal film on a topic that was unusual for ShÅchiku. Kabe atsuki heya (The Thick- Walled Room) is an early example of his lifelong preoccupation with the war and his deep interest in politics and society. This landmark film is one of the first Japanese films to deal with the war heritage, raising questions of responsibility for atrocities committed by the Japanese. The screenplay, by the novelist Kobo Abe, is based on the secret notes written down by former members of the army who were sentenced for war crimes. The protagonists are low- ranking soldiers, categorized as B and C war criminals. The film targets not only the brutal punishment suffered by these men at the hands of the Americans, but also the fact that many of them were framed by their superiors who escaped punishment. Without trying to whitewash his protagonists, Kobayashi suggests how badly they were treated by a system which denied all responsibility. The prison is not simply the stage on which the intimate drama of Japan’s post- war society is played out: the huis clos of the prison is turned into a metaphorical space and a dramatic character in its own right. The bleakness of the expressionist black- and- white photography, unusual camera positions, cross- fades, the subtle blending of everyday situations and dream sequences revealing the tormented spirits of the inmates are aspects that repeatedly shine through the realism at the film’s core. The Thick- Walled Room was far too controversial in 1. American occupation – so was not released until 1. By that time, it had lost much of its political impact. Since there was no chance that Kobayashi’s second feature film would be released straightaway, he returned to the psychological drama more typical of ShÅchiku. Mittsu no ai (Three Loves, 1. Kono hiroi sora no dokoka ni (Somewhere. Under the Broad Sky aka Somewhere beneath the Vast. Heavens, 1. 95. 4) are like many other Japanese films of the 1. Somewhere Under the Broad. Sky is a visual reminder of the war and the permanent mark it left on post- war society. Another film, Uruwashiki saigetsu (Beautiful Days aka Days of Splendour, 1. Kinoshita’s great success with his film of domestic life, NijÅ«- shi no hitomi (2. Eyes, 1. 95. 4). In these films, the family is the microcosm in which the economic struggle of the (young) protagonists and their disregard for society are depicted. Kobayashi’s love story Izumi (Fountainhead aka The Spring, 1. This is also true for Anata kaimasu, (I’ll Buy You, 1. Kobayashi explores the machinations behind the scenes of this very popular sport in his home country, and the film ends with the dissolution of the family and a murder. Filmed in a realist manner, I’ll Buy. You reveals – just as The Thick- Walled Room did before it – a penchant for expressionist lighting creating moments of profound bleakness. Black River. In Kuroi kawa (Black River, 1. Kobayashi offers insights into a Japan of the 1. The setting is reminiscent of Maxim Gorki’s play The Lower Depths (1. American military base where a human drama is enhanced by strong social criticism. The greedy landlady, the apolitical student and the convinced communist form part of the cast of characters who are trying to survive in post- war Tokyo. Joe (Tatsuya Nakadai in his first leading role) is a cynical and brutal gang boss who controls the whole district. Wearing sunglasses and exuding coolness, he apes a new masculine type imported from the U. S., and the film clearly asks questions about the Americanisation of Japanese society. However, the main targets are those Japanese who adopt American trends only superficially. Social conformity is at the core of Kobayashi’s criticism, and he represents his compatriots as mere opportunists who, after having blindly followed the rules of the military regime, are now happy to adapt to the rules of democracy, whatever the cost. The society he depicts is one that accepts a continuing authoritarian rule, and this is the basis for corruption and violence. Kobayashi condemns any idealisation of poverty, having the student Nishida (Fumio Watanabe) say: “I have chosen to live in this shanty to save 6. But I don’t like poverty. It makes you lose dignity.†Nishida, introduced as shy and clumsy, anticipates the rebel in Kobayashi’s oeuvre. Instead of being presented as a sympathetic character, he is a man of principles. Unlike the communist, he does not follow an ideology but confronts Joe for Shizuko’s (Ineko Arima) sake, since he is in love with her. Joe is the pure product of a society left to its own devices by its former rulers, the head of a male- dominated clan that lives from crime and violence. There is no justice system, and so the young woman kills Joe to put an end to the evil he embodies. The far bigger crime, the corruption that has created this misery and violence, goes unpunished. The image at the end of the film is a rainy road at night. A gloomy image in which Shizuko, a human miniature, vanishes into the all- enveloping darkness. SAMURAIDIRECTORS MOVIES: THREE OUTLAW SAMURAI(1. Hideo Gosha / cast: Tetsuro Tamba and Kyoko Aoi. SWORD OF THE BEAST(1. Hideo Gosha / cast: Mikijiro Hira and Go Kato. TANGE SAZEN: THE SECRET OF THE URN(1. Hideo Gosha / cast: Kinnosuke Nakamura and Tetsuro Tamba. SAMURAI WOLF 1(1. Hideo Gosha / cast: Isao Natsuyaki and Junko Miyazono. SAMURAI WOLF 2(1. Hideo Gosha / cast: Isao Natsuyaki and Chiyo Aoi. HITOKIRI (aka TENCHU!)(1. Hideo Gosha / cast: Shintaro Katsu and Tatsuya Nakadai. GOYOKIN(1. 96. 9) director: Hideo Gosha / cast: Tatsuya Nakadai and Ruriko Asaoka. THE WOLVES(1. 97. Hideo Gosha / cast: Tatsuya Nakadai and Tetsuro Tamba. BANDIT VS. SAMURAI SQUAD(1. Hideo Gosha / cast: Tatsuya Nakadai and Shima Iwashita. HUNTER IN THE DARK(1. Hideo Gosha / cast: Tatsuya Nakadai and Sonny Chiba. TANGE SAZEN: ONE MILLION RYO (TV MOVIE)(1. Hideo Gosha / cast: Tatsuya Nakadai and Isao Natsuyagi. DEATH SHADOWS(1. 98. Hideo Gosha / cast: Mariko Ishihara and Masanori Sera. THE DEMON CRUSADER (aka MOMOTARO ZAMURAI)(1. Kenji Misumi / cast: Raizo Ichikawa and Yoko Uraji. KIRU(1. 96. 2) director: Kenji Misumi / cast: Raizo Ichikawa and Shigeru Amachi. SHINSENGUMI CHRONICLES(1. Kenji Misumi / cast: Raizo Ichikawa and Tomisaburo Wakayama. HOMELESS DRIFTER (aka MUSHUKU MONO)(1. Kenji Misumi / cast: Raizo Ichikawa and Jun Fujimaki. SWORD DEVIL(1. 96. Kenji Misumi / cast: Raizo Ichikawa and Michiko Sugata. THE DEVIL'S TEMPLE(1. Kenji Misumi / cast: Shintaro Katsu and Hideko Takamine. THE MAGOICHI SAGA(1. Kenji Misumi / cast: Kinnosuke Nakamura and Shintaro Katsu. THE LAST SAMURAI(1. Kenji Misumi / cast: Hideki Takahashi and Ken Ogata. HEAVENLY DRAGON(1. Eiichi Kudo / cast: Tomisaburo Wakayama and Hibari Misora. FLOWERS ON THE ROAD(1. Eiichi Kudo / cast: Chiyonosuke Azuma and Ryuji Shinagawa. THE MYSTERIOUS PURPLE HOOD(1. Eiichi Kudo / cast: Ryutaro Otomo and Chiezo Kataoka. CASTLE OF OWLS (aka SAMURAI SPIES)(1. Eiichi Kudo / cast: Ryutaro Otomo and Oki Minoru. THIRTEEN ASSASSINS(1. Eiichi Kudo / cast: Kanjuro Arashi and Junko Fuji. THE GREAT DUEL(1. Eiichi Kudo / cast: Kotaro Satomi and Mikijiro Hira. ELEVEN SAMURAI(1. Eiichi Kudo / cast: Ko Nishimura and Kantaro Suga. SHADOW WARRIORS(1. Eiichi Kudo / cast: Tsunehiko Watase and Teruhiko Saigo. ASSASSINATION ORDERS(1. Eiichi Kudo / cast: Hideki Takahashi and Yoshiko Miyazaki. SAITO DOSAN: RAGE OF POWER(1. Eiichi Kudo / cast: Ken Matsudaira and Sonny Chiba. TAIRA NO KIYOMORI(1. Eiichi Kudo / cast: Ken Matsudaira and Hiroki Matsukata. CHRONICLE OF THE TOWN MAGISTRATE(1. Eiichi Kudo / cast: Ken Watanabe and Kimiko Ikegami. THE ASSASSINATION (aka ANSATSU)(1. Masahiro Shinoda / cast: Tetsuro Tamba and Eiji Okada. SAMURAI SPY(1. 96. Masahiro Shinoda / cast: Koji Takahashi and Tetsuro Tamba. OWL'S CASTLE(1. 99. Masahiro Shinoda / cast: Riona Hazuki and Takaya Kamikawa. FIREBIRD: DAYBREAK CHAPTER(1. Kon Ichikawa / cast: Tomisaburo Wakayama and Toshinori Omi. RONIN(1. 99. 4) director: Kon Ichikawa / cast: Ruriko Asaoka and Hisashi Igawa. DORA- HEITA(2. 00. Kon Ichikawa / cast: Koji Yakusho and Bunta Sugawara. THE WANDERING GAMBLER (aka HORO ZANMAI)(1. Hiroshi Inagaki / cast: Chiezo Kataoka and Hisao Nakamura / silent movie with japanese intertitles. IN SEARCH OF A MOTHER (aka MABUTA NO HAHA)(1. Hiroshi Inagaki / cast: Chiezo Kataoka and Isuzu Yamada / silent movie with japanese intertitles. DATE MASAMUNE: THE ONE- EYED DRAGON(1. Hiroshi Inagaki / cast: Chiezo Kataoka and Ryunosuke Tsukigata. THE LIFE OF MATSU THE UNTAMED(1. Hiroshi Inagaki / cast: Tsumasaburo Bando and Ryunosuke Tsukigata / no subtitles. SASAKI KOJIRO: THE WHOLE STORY(1. Hiroshi Inagaki / cast: Tomoemon Otani and Toshiro Mifune. VAGABONDS IN A COUNTRY AT WAR(1. Hiroshi Inagaki / cast: Toshiro Mifune and Rentaro Mikuni. SAMURAI 1: MUSASHI MIYAMOTO(1. Hiroshi Inagaki / cast: Toshiro Mifune and Rentaro Mikuni. SAMURAI 2: DUEL AT ICHIJOJI TEMPLE(1. Hiroshi Inagaki / cast: Toshiro Mifune and Koji Tsuruta. SAMURAI 3: DUEL ON GANRYU ISLAND(1. Hiroshi Inagaki / cast: Toshiro Mifune and Koji Tsuruta. NINJITSU 1 (aka YAGYU BUGEICHO)(1. Hiroshi Inagaki / cast: Toshiro Mifune and Koji Tsuruta. NINJITSU 2 (aka YAGYU BUGEICHO - NINJITSU)(1. Hiroshi Inagaki / cast: Toshiro Mifune and Koji Tsuruta. MUHOMATSU, THE RICKSHAW MAN(1. Hiroshi Inagaki / cast: Toshiro Mifune and Hideko Takamine. THE THREE TREASURES(1. Hiroshi Inagaki / cast: Toshiro Mifune and Yoko Tsukasa. SAMURAI SAGA (aka LIFE OF A SWORDSMAN)(1. Hiroshi Inagaki / cast: Toshiro Mifune and Yoko Tsukasa. DAREDEVIL IN THE CASTLE(1. Hiroshi Inagaki / cast: Toshiro Mifune and Kyoko Kagawa. CHUSHINGURA(1. 96. Hiroshi Inagaki / cast: Koshiro Matsumoto and Yuzo Kayama. WHIRLWIND(1. 96. 4) director: Hiroshi Inagaki / cast: Shogoro Ichikawa and Toshiro Mifune. RISE AGAINST THE SWORD(1. Hiroshi Inagaki / cast: Toshiro Mifune and Nobuko Otowa. SASAKI KOJIRO(1. 96. Hiroshi Inagaki / cast: Tatsuya Nakadai and Kikunosuke Onoe. SAMURAI BANNERS(1. Hiroshi Inagaki / cast: Toshiro Mifune and Yoshiko Sakuma. INCIDENT AT BLOOD PASS(1. Hiroshi Inagaki / cast: Toshiro Mifune and Shintaro Katsu. A BLOODY SPEAR ON MOUNT FUJI(1. Tomu Uchida / cast: Chiezo Kataoka and Ryunosuke Tsukigata. SOULS IN THE MOONLIGHT 1(1. Tomu Uchida / cast: Chiezo Kataoka and Kinnosuke Nakamura. SOULS IN THE MOONLIGHT 2(1. Tomu Uchida / cast: Chiezo Kataoka and Kotaro Satomi. SOULS IN THE MOONLIGHT 3(1. Tomu Uchida / cast: Chiezo Kataoka and Kinnosuke Nakamura. MIYAMOTO MUSASHI 1: ZEN AND SWORD(1. Tomu Uchida / cast: Kinnosuke Nakamura and Wakaba Irie. MIYAMOTO MUSASHI 2: SHOWDOWN AT HANNYAZAKA HEIGHTS(1. Tomu Uchida / cast: Kinnosuke Nakamura and Wakaba Irie. MIYAMOTO MUSASHI 3: BIRTH OF TWO SWORD STYLE(1. Tomu Uchida / cast: Kinnosuke Nakamura and Wakaba Irie. MIYAMOTO MUSASHI 4: DUEL AT ICHIJOJI(1. Tomu Uchida / cast: Kinnosuke Nakamura and Wakaba Irie. MIYAMOTO MUSASHI 5: DUEL AT GANRULE ISLE(1. Tomu Uchida / cast: Kinnosuke Nakamura and Wakaba Irie. MIYAMOTO MUSASHI 6: SWORDS OF DEATH(1. Tomu Uchida / cast: Kinnosuke Nakamura and Rentaro Mikuni. WARRING CLANS(1. 96. Kihachi Okamoto / cast: Yuzo Kayama and Yuriko Hoshi. SAMURAI ASSASSIN(1. Kihachi Okamoto / cast: Toshiro Mifune and Keiju Kobayashi. SWORD OF DOOM(1. 96. Kihachi Okamoto / cast: Tatsuya Nakadai and Toshiro Mifune. KILL!(1. 96. 8) director: Kihachi Okamoto / cast: Tatsuya Nakadai and Etsushi Takahashi. RED LION(1. 96. 9) director: Kihachi Okamoto / cast: Toshiro Mifune and Shima Iwashita. BATTLE CRY(1. 97. Kihachi Okamoto / cast: Yusuke Okada and Hiroko Isayama. TAIKOKI: THE STORY OF HIDEOSHI(1. Kihachi Okamoto / cast: Shibata Kyohei and Sonny Chiba. VENGEANCE FOR SALE(2. Kihachi Okamoto / cast: Hiroyuki Sanada and Tatsuya Nakadai. HARAKIRI(1. 96. 2) director: Masaki Kobayashi / cast: Tatsuya Nakadai and Shima Iwashita. SAMURAI REBELLION(1. Masaki Kobayashi / cast: Toshiro Mifune and Tatsuya Nakadai. INN OF EVIL(1. 97. Masaki Kobayashi / cast: Tatsuya Nakadai and Shintaro Katsu. SHOGUN'S SAMURAI(1. Kinji Fukasaku / cast: Sonny Chiba and Toshiro Mifune. SWORDS OF VENGEANCE (aka FALL OF AKO CASTLE)(1. Kinji Fukasaku / cast: Sonny Chiba and Kinnosuke Nakamura. LEGEND OF THE EIGHT SAMURAI(1. Kinji Fukasaku / cast: Sonny Chiba and Hiroko Yakushimaru. THE ABE CLAN(1. 99. Kinji Fukasaku / cast: Koichi Sato and Hiroyuki Sanada. SWORDSMAN OF THE 2- SWORD STYLE(1. Sadatsugu Matsuda / cast: Chiezo Kataoka and Ryunosuke Tsukigata. REBELLION (aka HAYATO- ZOKU NO HANRAN)(1. Sadatsugu Matsuda / cast: Utaemon Ichikawa and Kinnosuke Nakamura. A CHIVALROUS SPIRIT(1. Sadatsugu Matsuda / cast: Chiezo Kataoka and Chiyonosuke Azuma. LORD TAKES A BRIDE(1. Sadatsugu Matsuda / cast: Ryutaro Otomo and Yumiko Hasegawa. GHOST SHIP 1(1. 95. Sadatsugu Matsuda / cast: Kinnosuke Nakamura and Ryutaro Otomo. GHOST SHIP 2(1. 95. Sadatsugu Matsuda / cast: Kinnosuke Nakamura and Ryutaro Otomo. SEVEN FROM EDO(1. Sadatsugu Matsuda / cast: Utaemon Ichikawa and Chiyonosuke Azuma. NINJA'S WEAPON(1. Sadatsugu Matsuda / cast: Chiezo Kataoka and Ryunosuke Tsukigata. THE ABANDONED SWORDS(1. Sadatsugu Matsuda / cast: Kinnosuke Nakamura and Chiyonosuke Azuma. TANGE SAZEN: THE SECRET OF THE GOLDEN SPELL(1. Sadatsugu Matsuda / cast: Ryutaro Otomo and Hashizo Okawa. THE 4. 7 MASTERLESS SAMURAI 1 (aka AKO ROSHI 1)(1. Sadatsugu Matsuda / cast: Chiezo Kataoka and Kinnosuke Nakamura. THE 4. 7 MASTERLESS SAMURAI 2 (aka AKO ROSHI 2)(1. Sadatsugu Matsuda / cast: Chiezo Kataoka and Kinnosuke Nakamura. TANGE SAZEN: THE MYSTERY OF THE TWIN DRAGONS(1. Sadatsugu Matsuda / cast: Ryutaro Otomo and Kotaro Satomi. TANGE SAZEN: THE MYSTERIOUS SWORD(1. Sadatsugu Matsuda / cast: Ryutaro Otomo and Satomi Oka. ROAD OF CHIVALRY(1. Sadatsugu Matsuda / cast: Chiezo Kataoka and Utaemon Ichikawa. MIGHTY SHOSUKE(1. Sadatsugu Matsuda / cast: Ryutaro Otomo and Hibari Misora. TANGE SAZEN AND THE PRINCESS(1. Sadatsugu Matsuda / cast: Ryutaro Otomo and Satomi Oka. RESTORATION FIRE(1. Sadatsugu Matsuda / cast: Chiezo Kataoka and Kotaro Satomi. KNIGHTLY ADVICE(1. Sadatsugu Matsuda / cast: Chiezo Kataoka and Ryunosuke Tsukigata. DUEL OF BLOOD AND SAND(1. Sadatsugu Matsuda / cast: Ryutaro Otomo and Jushiro Konoe. TOKAIDO FULLHOUSE(1. Sadatsugu Matsuda / cast: Chiezo Kataoka and Utaemon Ichikawa. VANQUISHED FOES(1. Sadatsugu Matsuda / cast: Ryutaro Otomo and Hashizo Okawa. SOZENJI BABA(1. 92. Masahiro Makino / cast: Komei Minami and Shinpei Takagi. SAMURAI TOWN 1 (LAST 8 MIN.) (aka RONIN- GAI: DAI- ICHI- WA)(1. Masahiro Makino / cast: Komei Minami and Toichiro Negishi. SAMURAI TOWN 2 (aka RONIN- GAI: DAI- NI- WA)(1. Masahiro Makino / cast: Komei Minami and Toichiro Negishi. TATESHI DANPEI(1. Masahiro Makino / cast: Utaemon Ichikawa and Ryunosuke Tsukigata. RONIN GAI(1. 95. 7) director: Masahiro Makino / cast: Jushiro Konoe and Seizaburo Kawadu. FIGHTING DISPOSITION(1. Masahiro Makino / cast: Hashizo Okawa and Ryunosuke Tsukigata. AN ACTOR'S REVENGE(1. Masahiro Makino / cast: Hashizo Okawa and Chikage Awashima. THE BULL'S EYE OF LOVE(1. Masahiro Makino / cast: Hibari Misora and Kinnosuke Nakamura. ECHO IN THE MOUNTAINS (aka LOVE ECHO)(1. Masahiro Makino / cast: Hashizo Okawa and Satomi Oka. KURAMA TENGU(1. 95.
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